Thursday, June 11, 2015

Khadi Saree's & Fabric's


Uppada Khadi sarees, khadi fabrics, Cotton Handloom Saree, plain, pallu designs, paper work pallu design

Over the past century, Indian farmers wear compelled to abandon desi cotton varieties, which had evolved over thousands of years to resist local pests and whitstand droughts, in favour of the long- stapled American cotton, which was more suited to machine processing and hence in greater demand. Consequently, almost all the cotton grown today is derived from American varieties. However, the American cotton requires irrigation and is vulnerable to pests. As a result, farmers are caught in the trap of high input costs, with no safety net if the crop fails.
At the order end of the loop, handloom weavers get yarn in hank from only at the whim of the spinning mills, so there are often unexplained shortages of particular counts. The huge variety of handloom fabrics, with each region contributing its particular weaves, is great advantage in the market; and precisely this diversity is lost when handlooms everywhere have to use the same mill-spun yarn.
The Malkha Alternative
The situation described above raises the question: could we bypass large-scale mill-spinning and view the huge number of small cotton farmers and handloom weavers as great potential strength of our rural economy ? After all, their presence offers the basic building blocks for a widespread, sustainable, decentralised, ecologically sensible rural industry with all the benefits of dispersed production and distributed returns.
This thought process led to the emergence of malkha with the maxim "local production for local use". As a first step, malkha excluded baling and unbaling, processes that not only damage the cotton fibre, but also engender centralisation of spinning and sever the link between cotton farmers and handloom weavers. This facilitated the use of small- scale pre- spinning machinery, which could be set up near farmers' fields and handloom weaving centers.
All fabrics produced by this setup are handwoven. At present, malkha uses cotton grown by local farmers. As the farmers shift to organic cultivation, hopefully of the desi cotton varieties in future, malkha will move along with them. In the long run, the malkha process aims to create small groups of producers, confident of their control of the production cycle, understanding and practicing collective working and collective ownership. At that juncture, the producers should not only be able to appreciate all the facets of economic activity raw material, means of production, market, finance- but also to adapt them to their own needs.
    
 

Thursday, September 3, 2009

Contact Us

UPPADA SAREES Pvt. Ltd
Manufacturers of Uppada Sarees, Paithani Sarees, Cotton Jamdani Sarees

8-2-574, lane beside ALSO Boutique, Road No.8, Banjara Hills
Hyderabad, Andhra Pradesh 500034


Tel : 040- 64640303 Mobile : 9440051735, 9441905005
Email: sarode1@gmail.com,
sarode@gmail.com
Director: Ghanshyan Sarode, Textile Designer

Uppada Sarees

In recent years Uppada's soaring popularity has led people to back track to its root learn about the creation process of this sarees .The weaving technique is called Jamdani, which is age old technique. Yet after so much research and writings, people still get lured into the tale of jamdani's history, like they get lured into an old folktale, over and over again.

The fabric itself is hypnotic. One can stare at the intricacy of the motifs for hours and still be unable to grasp the amount of patience, work and time needed to create it. During early 19th century the production of expensive jamdani suffered set back. The most important cause of decline and the ultimate extinction of the Jamdani industry was the industrial revolution in England, which introduced modern inventions in manufacture machine-made Jamdani with the support of jacquard and soon it began to capture the world market for jamdani. This old weaving technique has been re-introduced in Uppada during the year 1988 by Ghanshyam Sarode, a textile designer. And thus a new BRAND has been created. i.e. "Uppada Sarees" which took almost a whole one decade, and now the people are fond of the sarees.

We are the manufacturers of pure Jari Uppada Sarees, Paithani Sarees, Jamdani Sarees, Gadwal Sarees, Narayanpet Sarees, Khadi Sarees, Kalamkari Sarees, Nilambari Sarees, Swetambari Sarees. Other exclusive sarees of Mulbary silk Sarees, Tassar Silk Sarees, Muga Silk Blend Sarees. Now these sarees are manufactured at :

Uppada Sarees Pvt Ltd,
8-2-574, lane beside ALSO Boutique, Road No.8, Banjara Hills
Hyderabad, Andhra Pradesh 500034
Phone: 040-64640303
Mobile:- 09441905005

Email: sarode1@gmail.com
Website: www.uppada.com

Jamdani weaves were amongst most prized contribution to the rich textile heritage of India. The various historical references to the superb quality and the high-esteem in which these fabrics were held, are too numerous to elucidate though it can be said that they form part of some of the most valued textiles in collections all over the world. The Victoria and Albert Museum of London have a fine collection of jamdanis. The saris with their distinct decorative patterns,seem to hold an especially high status in the society. Being the work of two people in couple of months, the price for a Jamdani sari lies well above the ordinary weaves of the saree, and one of the costliest sarees.


1. Jamdani weaving technique with pattern of the design drawn on paper:

Woven on a simple frame or pit looms. The pattern of the design drawn on paper is pinned beneath the warp threads and as the weaving proceeds; the designs are worked in like embroidery. When the weft thread approaches close to where a flower or other figure has to be inserted, the weaver takes up on of a set of bamboo needles round each of which is wrapped yarn of a different color as needed for the design. As every weft of woof thread passes through the warp. He sews down the intersected portion of the pattern with one or another of the needles as might be required, and so continues till the pattern is completed. Very often, two persons work together on a sari. Traditionally, jamdanis were white of fine cotton, with designs in bleached white.

2. Jamdani woven with the help of jala:
Jamdani traditionally woven in Uppada refers to an extremely fine fabric cotton or zari brocading on cotton fabric. Here, two weavers work on a single loom where the design on paper, kept underneath the warp, is used as a guide in placing the cut threads, according to the design, over the warp. These are, then, interlaced into the warp with fine bamboo sticks in a zigzag manner to form the motif. This is followed by the weft thread, the process being repeated before the shuttle carrying the weft is thrown across again.